Tag Archives: Pilot

Series Review: 9-1-1 on Channel 7

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Let’s be real here.  Those cop/doctor/fireman procedurals flooding the airwaves right now, would not really make for exciting watching if the emergencies they were attending were not of major grandeur.  A bomb in chest of a man, multiple plane crashes, a 20 story apartment building on fire with no fire exits….it’s rudimentary that the bigger the emergency, the bigger the show (no matter how outlandish) and that’s what new show 9-1-1 is aiming to do – except most of the emergencies featured in each episode are based off actual real-life events.

Created by the minds of Ryan Murphy and Brad Falchuk  (American Horror Story, GLEE, Nip/Tuck)  this ‘first responders’ drama takes the most insane “what could possibly go wrong” horrors and amps them up ten fold to offer up some of the most skin crawling, “ewwww” ensuing and spine tingling emergencies.

Let’s just say a new born baby flushed down a toilet in the series opening episode (written by Murphy, Falchuk, and showrunner/co-creator Tim Minear and directed by Murphy series regular Bradley Buecker) isn’t even scraping the surface of what’s to come.

Along with the freakishly outlandish scenarios, 9-1-1 is fitted out with a dream cast of core characters including Angela Bassett as tough as nails cop Athena who is dealing with some home life dramas, Peter Krause as fire station captain Bobby Nash who is a recovering addict with a family secret he’s not telling anyone (well just yet), Connie Britton as 9-1-1 responder Abby Clark who is struggling to balance work and looking after her ailing mother and Oliver Stark as the rookie rule-breaker firefighter who may or may not be a sex addict.

The day jobs of these characters see them often intertwining with one another though Britton’s 9-1-1 call centre responder Abby Clark is virtually cut from any real involvement until she forcibly inserts herself into the life of young firefighter Buck.

Of all our heroes personal struggles, I found Krause’s Bobby Nash the most difficult to swallow with his former addict status sending him to the local priest to confess his sins on a regular basis.  It does takes five episodes of this sullen and private Bobby to finally reveal just what is causing him such depression and that reveal in itself is quite shocking and heart breaking but once revealed and dealt with, is quickly swept under the rug and never mentioned again.

For the most part, 9-1-1 seems to offer up a somewhat even balance between the  daily emergencies our heroes deal with and the personal struggles waiting for them at home though a note I took down while watching the first few episodes read “get back to the life saving action!!” – not to say that the home life aspect of our heroes was boring.

9-1-1 starts Wednesday August 1st, 8:30pm Channel 7.

 

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First Look Review: The Exorcist

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Alan Ruck and Geena Davis in THE EXORCIST. (c)2016 Fox Broadcasting/Jean Whiteside

A dark an eerie take on the timeless cult horror flick pits Geena Davis against a demonic force that has set its eyes on her family.

Joining the ranks of the ‘reboot’ fad, The Exorcist has a more tender ground to tread on than others within the field thanks to its cult fandom background.  Considered to be one of the scariest films of all time, the 1973 movie of the same name produced an iconic film filled with memorable quotes and scenes (a 360 degree head turn anyone?) that have been done and redone so many times that this new incarnation has to be very careful of not to try and out-do or recreate what has been done and done well.

Thankfully, in this new outing for The Exorcist, it leaves little opportunity open for fans and viewers to mock or gripe.

Taking the lead (and bringing in some worthy star power) Geena Davis plays Angela Rance, a religious upper class working mother who is concerned that the noises and strange occurrences happening in her home might be more than just your everyday easy to explain happenings.  Her husband Henry (Alan Ricks) is a former version of himself due to a workplace accident, her eldest daughter Kat (Brianne Howey) is dark and depressed after a tragic accident that killed her best friend while youngest daughter Casey (Hannah Kasulka) is a care-free and easy going young woman with the world at her feet.

Concerned that troubled Kat may be ‘under the influence of a demon’, Angela asks local priest Father Tomas (Alfonso Herrera) to do a cleansing of her house though Tomas’ spiritual demons find him playing cat and mouse between a concerned mother worried her daughter is possessed and another priest, Father Marcus (Ben Daniels) who has very close ties to the world of exorcisms.

What ensues is a stylish and slick tale about religion in the modern day versus the barriers provided by old-school religion.

At an hour long, the first episode doesn’t feel rushed or have too much crammed into it though there lies a problem in that you begin to question how Angela is so convinced there is a demon in her house when we are not actually privy to any demonic activity (the only real signs is through her telling Father Tomas about cupboards and chairs in the kitchen moving about) and the scene where Father Tomas and Father Marcus meet – via demonic children filled dreams is semi-sketchy to say the least but one could say it’s divine intervention from a higher power to bring the two together.

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We do catch a glimpse of this demonic force, though it’s not until the end of the episode and provides one of the best surprise plot twists presented in a pilot in some time and it’s not the series only card up their sleeve.  The big reveal comes towards the end of episode five that will have those who know the movie literally gagging with excitement about what’s to come.

The Exorcist  begins Sunday December 4, 8.30pm on Showcase.

Pilot score: 4.5/5

Here Come the Habibs Courts Unfair Criticiscm

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Here Come The Habibs: Source, Channel Nine

 

I’ll happily admit that when the first promos for Channel Nine’s Here Come The Habibs went live, I was immediately put off. I Did not want to watch it, thought what I had seen seemed crass and happily joined the throngs of those condemning it on social media. So much was my nose point out of join by a 30 second promo that I a) did not really want to watch the first two episodes provided for review and b) had a whole spiel mentally prepared about “who at Channel Nine thought this was a good idea?”

I guess that’s what happens when a bad promo for what turned out to be a funny two episodes, is given out to the public.

Judging it by it’s cover we all are.

Lets get into the nitty gritty of Here Come the Habibs.

FouFou Habib (Michael Denkha) and wife Mariam (Camilla Ah Kin) have found themselves able to “live the Australian dream” and to move into the rich and swanky suburb of Vaucluse after a rather hefty ($22 million) lotto win – but they aren’t telling anyone about their windfall, not even their children Toufic (Sam Alhaje), Elias (Tyler De Nawi) and Layla (Kat Hoyos).

Neighbours Olivia O’Neill (Helen Dallimore) and her castrated husband Jack (Darren Gilshenan) are not too keen on their new Mediterranean neighbours (well mainly Olivia) and a war erupts between the two – Olivia wants them out, FouFou wants to stay.

The script, written by Phil Lloyd is tight and full of zippy one liners and throws casual playful punches at multiculturalism, terrorism, greedy family members and the Cronulla riots. The fish-out-of-water premise is very reminiscent of shows like the Beverly Hillbillies and even the Fresh Prince of Bel Air and right from the outset, the loud and brassy Habibs are not the focus of ‘being made fun of’ instead, it’s the rich white privileged that takes most of the hits and should take most of the bullets from the viewing public.

A scene in episode two where Mariam is attempting to join the local yacht club but is thrown a curve ball by Olivia that leads to public embarrassment, will leave you hoping the snotty cow gets hers in a later episode.

While the pilot took a bit for me to warm up to, by the time a turf war was established between the newly rich Habibs and their snotty neighbours the O’Neill’s, I was full on humble pie.

Here Come The Habibs is Channel Nine’s first foray into locally made scripted comedy in over 15 years and personally, I’m picking that the Habibs was actually a wise choice for the network to work it’s way into bringing back some good Aussie comedy. Granted though, Nine isn’t doing itself any favours with how it is choosing to market the show that has resulted in public outcry from an outrage addicted audience and calls for the show to be pulled due to claims it’s racist. Let’s not forget, this show hasn’t even aired yet!

Shows currently airing like Fox8’s (American import) Fresh Off the Boat and SBS’s The Family Law both offer a humorous look on multicultural families and the Habibs is no real different. Able to poke fun at itself while ensuring we’re laughing with and at them at the same time, plus Habibs is actually a bit more engaging than the two shows mentioned above.

While Australia is still trying to find steady ground when it comes to scripted comedy, Here Come the Habibs will hold it’s own against the haters and those trying to tear it down before they’ve even seen an episode. I was like you, then I watched and saw what the Habibs was actually offering.

Here Come the Habibs begins Tuesday night, Feb 9th @ 8:30pm on Channel Nine.

p.s – keep an eye out for the wretchedly funny Pippa Grandison as Olivia’s best friend, who is more than happy to stir the pot when it comes to poking Olivia’s buttons and her new neighbours.

Channel 7’s How to Get Away With Murder Pilot Review

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“Welcome to law 101 or as I like to call it, How to get away with murder”

In all it’s gravelly deepness, star Viola Davis manages to rip out the title of this show on no less than three occasions during the pilot and with each mention, she manages to make it sound more and more like she’s an emcee at a serial killer convention.

There’s no messing around with How to Get Away With Murder (or HTGAWM as the full title is a complete bitch to continuously write out) though.  4 college students furiously fighting in the dead of night, in the middle of nowhere, over a dead body.  It’s this hectic and fast-paced opener that introduces us to the world of criminal defense lawyer Annalise Keating (Viola Davis) and her entourage of college law students/murderers.

Through flashbacks, dating from three months ago to present day, HTGAWM gives us pieces to a very large puzzle where each piece brings us closer and closer to revealing the full events of the night in which our hapless students found themselves in the middle of the woods frantically bickering over a dead body.

Their teacher, Annalise Keating, is a tough as nails, take no bullshit criminal defense lawyer slash college professor who is admired and feared at the same time and like all of the female leads living within the Shondaland (Greys/Scandal/Private Practice) universe, it appears Annalise has it all. A hugely successful career with a resounding reputation, a kick ass selection of wigs and killer wardrobe, a loving husband and students who worship and want to be her, but behind closed doors, Annalise’s affair with local cop Nate (Billy Brown) and the dealings of her sketchy husband Sam (Tom Verica) begin to tear down the walls Annalise has so heavily fortified.

And while HTGAWM is mostly about Annalise and her behind-closed-doors-life-versus-her-public-one, her students also play a large part in what the show has to offer.

There’s good girl  Michaela Pratt (Aja Naomi King) who attains to be like Annalise one day, Wes Gibbins (Alfred Enoch) who was accepted into class off a wait list and quickly falls behind the class, Connor Walsh (Jack Falahee) he of no morals and who can slut it up with the best of them to get information to win a case, quiet Laurel Castillo (Karla Souza) who may not be as innocent as she puts out and Asher Millstone (Matt McGorry) the cocky loud mouth who misses out on all the murder action.

While this murder itself is the season long story-arc, HTGAWM also strings along side stories allowing Annalise to not only showcase her talents as a criminal defense lawyer but teach her handpicked interns just how exactly one can get away with murder.

HTGAWM is a gutsy effort that tops my list of new dramas for the 2014/15 season and rightfully so.  Even though there’s an entire roster of characters we are introduced to in the first episode, it’s not long before each and every one start to stand on their own and have you questioning their motives behind the predicament they have found themselves in.

While HTGAWM has attachments to Shonda Rhimes (Greys, Scandal and Private Practice) and her Shondaland production empire, Peter Nowalk, (Co exec producer of Scandal) is the mind behind this not so small legal turned murder mystery drama.

How to Get Away With Murder begins Tuesday, Feb 10th, 9pm on Channel 7.

Whats Back When? The 2015 TV Premiere Dates

AHS Freak Show Returns early Jan
AHS Freak Show Returns early Jan

It’s that weird time of year when there is literally nothing on the box, re-runs of Big Bang Theory are everywhere and you’re beginning to run out of things to binge-watch (I’ve just done two seasons of The Following in two weeks) but thankfully, new and returning shows are not that far away!  Check out the list of new-to-air and returning shows below.

Tuesday Jan 6th:  Pretty Little Liars: 5×14 – ABC Family / Agent Carter: Pilot – ABC / Cougar Town: Final Season – TBS

Wednesday Jan 7th: Empire: Pilot – FOX / AHS Freak Show: 4×11 – FX

Thursday Jan 8th: Archer: Season 6 premiere – FX /  Parenthood: 6×10 – NBC

Friday Jan 9th: Glee: Final Season – FOX / Heart of Dixie 4×02 – CW

Sunday Jan 11th: Looking: Season Two premiere – HBO / Girls: Season Four premiere – HBO / Shameless: Season Five premiere – Showtime / House of Lies: Season Four premiere – Showtime / Episodes: Season Four Premiere – Showtime

Tuesday Jan 13th: Parks and Recreation: Final Season – NBC

Wednesday Jan 14th: Web Therapy: 4×10 – Showtime

Wednesday Jan 28th: The Americans: Season Three premiere – FX / Suits: Season Four premiere – USA

Thursday Jan 29th: Greys Anatomy: 11×09 – ABC / Scandal: 4×10 – ABC / How to get Away With Murder: 1×10 – ABC

Thursday Feb 5th: The Blacklist: 2×09 – NBC

Sunday Feb 8th: The Walking Dead 5×09 – AMC / Better Call Saul: Pilot Episode – AMC

Tuesday Feb 10th: Fresh Off the Boat: Pilot Episode – ABC

Thursday Feb 19th: Thee Odd Couple: Pilot Episode – CBS

New and returning shows coming March include The Following Season three, Secrets and Lies pilot, the return of Marvel’s Agents of SHIELD, CSI: Cyber pilot and the return of Orphan Black in April!

What are you most excited about returning or starting?  Sound off in the comments below!

Pilot Review: Can Gotham Survive Without It’s Batman?

GOTHAM: Robin Lord Taylor as Oswald Cobblepot.   ©2014 Fox Broadcasting Co. Cr: Michael Lavine/FOX
GOTHAM: Robin Lord Taylor as Oswald Cobblepot. ©2014 Fox Broadcasting Co. Cr: Michael Lavine/FOX

Batman prequel series, Gotham premiered last week in America to strong audience of over 8 million viewers, but how many will stick around in a Gotham that doesn’t have it’s Batman?

As it is with pretty much every re-telling of the Batman origin, Gotham starts off with a scene most familiar to fans of the DC comics hero – Martha and Thomas Wayne brutally gunned down in a dark alley by a man in a ski mask, sparing the life of a young Bruce Wayne.  It’s been done many times over though Gotham offers us  a slight twist on the traditional story with a young Selina Kyle, perched high on a ledge on the buildings above, to witness the tragic event.

One could be forgiven for thinking that following this start, the rest of the show will just go with motions, being utterly predictable and boring but thankfully, this is pretty much where the ‘what we know’ ends and we’re opened up to a new representation of Gotham, this time, living life before Batman.

The city itself in Gotham is dark and moody and filled with an assortment of unsavories, much like the Gotham seen in Tim Burton’s 1989 Batman film though thankfully, it’s not as kitschy. Those familiar with the world of Batman will delight in seeing nods to known characters including Selina Kyle/Catwoman (Camren Bicondova), Ivy/Poison Ivy (Clare Foley), Oswald Cobblepot/The Penguin (Robin Lord Taylor), Edward Nygma/The Riddler (Cory Michael Smith) and of course Bruce Wayne/Batman (David Mazouz)

There’s also possible winks to future characters including Batwoman (James Gordon’s fiancee Barbra Kean, played by Erin Richards) and even the Joker, but to-date, it’s only speculation.

A young James Gordon (Ben McKenzie), recently new to Gotham, is finding out the hard way that his idealistic views of crime and punishment are no where to be seen in a police force that’s filled with corruption. He’s taken to solve the Wayne murder with drunkard partner Harvey Bullock (Donal Logue) who happens to have connections to the underworld and local mob members who may have information that may help solve the murders.

As Gordon, Ben McKenzie starts off solidly with his woe-is-me eyes as he struggles to maintain his morality in a city that has none.  Logue’s Harvey Bullock is a weary and dreary detective, too caught up in the darkness that has enveloped Gotham.  Bicondova and Mazouz don’t really have much to do in the pilot – there’s some tears, some climbing, some ‘let’s feed stolen milk to some stray cats so you know i’m future Catwoman’ – it’s meager stuff – at the moment.

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In this image released by Fox, Robin Lord Taylor, left, and Ben McKenzie, are shown in a scene from “Gotham” (Jessica Miglio / AP)

The ones to watch however is Jada Pinkett-Smith as Fish Mooney and Robin Lord Taylor as Oswald Cobblepot aka the future Penguin.  As power crazy night club owner Fish Mooney (Mooney is a character created for the show and not from the Batman world), Pinkett-Smith shines in pretty much every scene she’s in, chewing through lines and swinging baseball bats all whilst still maintaining perfect nails and harsh one liners.  While Gotham, it seems, is  trying to eke out the camp factor, Pinkett-Smith’s Mooney is the perfect playoff, possibly channeling a 60’s-Batman era Eartha Kitt.

Lord Taylor’s Oswald Cobblepot is just downright deranged.  The first moment you see him you can tell he’s got more than a few screws loose up top as he takes pleasure in being offered the chance to take a baseball bat to a thief.

Gotham is aiming high, hoping to lure in those new to the world whilst trying to keep dedicated Batman fans happy.  It doesn’t seem like an easy task..asking Batman fans to watch a show that’s about Batman but doesn’t star Batman…asking viewers to tune into another comic-come-TV-series…yet as a whole, Gotham actually works as a dark and slightly erratic drama about one man’s mission to rid his city of corruption and crime while peppering the scenery and story lines with weird and unusual characters.

Gotham premiere’s soon on Channel 9.

8/10

Pilot Review: The Mysteries of Laura

Debra Messing leads the new series The Mysteries of Laura
Debra Messing leads the new series The Mysteries of Laura

1940’s DETECTIVE COMICS OR A DIAMOND IN THE ROUGH?

Is it a comedy?  Is it a drama?  Is it a hard-edged police procedural?  These are the questions I found myself asking while watching the new The Mysteries of Laura starring Debra Messing and Josh Lucas.  Mysteries follows Messing as homicide detective Laura Diamond who is a woman with a lot on her plate and not enough time to eat it all.

Laura’s juggling a busy work schedule as a detective trying to solve murders with mothering twin boys possibly possessed by an almighty demonic force and a soon-to-be-ex husband (Josh Lucas) who can’t bring himself to sign those divorce papers.

The mix of cop show meets family comedy meets personal life drama is an uneasy mix within Mysteries that often feels jarring and forced, not really knowing which direction it really wants to focus on.  One minute Detective Diamond is resolving a hostage situation by shooting off the perps ear the next she’s wiping blood up with a baby wipe and returning a worn bathing suit before arguing with hubby about how he is never around when it comes to her demonic brats who by the way spend time peeing on each other.

If you were to separate the genres smashed into this one show, some of it would work and some wouldn’t.  Frazzled and over worked mum juggling twin brats with a less than involved husband (who also cheated) sounds like a decent drama or even dramedy.  Homicide detective trying to solve murders – it’s been done a million times over so I get why the career was thrown in, but as a whole, the murder case Laura and partner Billy (Laz Alonso) are working on and how it’s given to us is quite possibly a story line once featured in an episode of Scooby Doo and by the end, when the killer is revealed, the final result actually feels quite farcical and you’re left wondering why the need for so much focus on the cop aspect of Laura’s life, like are the writers so forced on trying to establish that yes, Laura Diamond, in 2014, is a mother and a woman with a career?

Stepping back, what does work within Mysteries is the chemistry between Messing and Alonso.  The two work great as a team and there is enough spark there to possibly push for a work romance story arc. Watching the two together felt like there could be a Castle meets Bones air about the show but that was destroyed when we were brought back into Laura’s world of cheating husbands and unruly children.

In the end, the problems seeping out of Mysteries is the tone of the show and what it brings to viewers.  Debra Messing…we all love her, though is she believable as a hard-nosed homicide detective…I’ll leave that up to you.  The family drama with a side of murder solving and over-the-top hijinks…perhaps if Mysteries was more thrilling in it’s murder cases and less on the family life…or the other way around, there could be something to work with.

Debra Messing is a win though the aimless script is a loss.

Rating score: 6 out of 10

Update: Oct 2nd – It get better.  If you managed to make your way through the entire first episode, you’ll be pleased to know that Mysteries does in fact get better.  By the end of episode 2, you’ll notice there’s a shift away from Laura’s home life with her evil twins and more focus on the crime/career/husband aspects with the show.  The weekly murder mystery is still a little kitschy but there’s an additional mix of some darkness thrown just to ground the show a little bit more.

Premiere Date: Madam Secretary and Scorpion

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The Tea’ Leoni political drama Madam Secretary has been given an October 2nd premiere date on channel 10.  The drama sees Leoni as ex-CIA operative and college professor Elizabeth McCord, unexpectedly thrust into the position of Secretary of State, who must drive international diplomacy and wrangle office politics, all while balancing a complex family life.

Channel 10 are still the only FTA network offering up new programs from the up-coming US fall season premiere with Scorpion and Madam Secretary confirmed along with the new NCIS spin-off: NCIS New Orleans.

 Check out the trailer below:

Scorpion premieres Sunday, Sept 28th at 6:30pm

Madam Secretary premieres Thursday, October 2nd at 9pm

Reviewed: Karen Gillan’s ‘Selfie’

Karen Gillan in ABC's 'Selfie'
Karen Gillan in ABC’s ‘Selfie’

To be honest, when the networks announced the long lists of new shows they picked up for the upcoming Fall season, ABC’s comedy titled ‘Selfie’ and staring Karen Gillan did not even ping on my radar. I knew of it, but the premise and the early release trailer did nothing for me.  To me, it was being touted as a social media savvy and utterly vapid valley girl has humiliating moment and tries to go humble.

Well, that pretty much sums up what Selfie is all about, but after watching the pilot episode, I think i’m going to be a bit more nicer about the show than other reviews have been.

Eliza Dooley (Karen Gillan) is a pharmaceutical sales rep who relies more on what her online followers are doing, hash-tagging and liking via vine, instagram, twitter, Facebook etc etc etc than dealing with the actual real life people around her.  Attached to her phone like a drunk to a bottle of whiskey, she’s what I imagine Clueless’s Cher Horowitz to be like had she been created in this technologically advanced era.

Sashaying down the isle of an airplane, we’re first introduced to Eliza where every meme, lol, yolo, hashtag and Valencia filter is thrown at us to ensure that we know Eliza is a ‘millennial’ and that we shouldn’t really like her, plus she’s snagged herself an upgrade and she’s messing around with her co-worker – whom she finds out is married. It’s then the plot is switched up and we’re manipulated to feel sorry for her when she ends up covered in her own vomit (it’s a slow motion liquid mess of a scene that almost had me dry retching) and it’s captured on multiple cameras and subsequently uploaded to every form of social media available – including Google +.

Searching for help from her online cheer-squad, Eliza quickly learns that she doesn’t actually have any real friends.

Thankfully, there’s the non-sexual and non-threatening  co-worker and anti-any-form-of-technology Henry Higgings (John Cho) just around the corner willing to fix her and turn her into a respectable lady capable of migrating into society without the need to constantly take a selfie.  If you hadn’t worked it out by now, Selfie is an attempt at taking the classic My Fair Lady and throwing a Mayfair filter over it to make it accessible to a younger audience – sort of what Clueless did with Jane Austen’s Emma – but no where near as effective.

Not that Selfie is really that bad.  Sure, there were a mass of quotes spewed out of Eliza’s mouth (including and not restricted to  “BF BS. Got played like Flappy Bird. Mortified.com.” and “make like Elsa and let it go”) that were enough to make me a) glad I’m in my mid 30’s and will never have to speak like that and b) wonder how someone who actually talks like that finds themselves employed, but there were a few moments I let out a very hearty laugh – Henry Higgins “What makes you confused?” Eliza Dooley “Plus sized skinny jeans, I mean what the?!”

Check out a clip below

Selfie premiere’s on Sept 30th on ABC.

Review: Extant Pilot Episode

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Halle Berry as Molly Watts in Extant. Source: Provided

After watching the pilot for Halle Berry’s new Extant, there’s no denying that Sci-fi stalwart Steven Spielberg (Extant’s executive producer) has happily put his fingerprints all over this intriguing project.  With hits like Close Encounters of the Third Kind to A.I: Artificial Intelligence, Spielberg has created a neat little niche that when done right, is done really right.  

Berry is back on our screens for this first time since 1991 (she was in the Dallas spin-off Knots Landing) playing astronaut Molly Watts who, after returning from a 13 month solo space mission, discovers she’s pregnant.  A case of immaculate conception or something more paranormal? This piece of surprising news for Molly pushes us right back to her solo space mission where we see clues littered about that may or may not offer up some answers.

As noted earlier, Spielberg has his fingers all over this project and themes of robotic children assimilating into society (just like A.I) are explored, namely with Molly and her husband John (ER’s Goran Visnjic) who, unable to conceive naturally, have their very own mechanical and somewhat creepy son named Ethan (Looper’s Pierce Gagnan) who goes from being sweet and adorable to asking to have his batteries recharged and then off to practice his facial emotions in the mirror.

The future that Extant offers up is a very clean cut, simplistic and technologically advanced future, but this future is nothing not seen in Minority Report and other like movies/tv shows and the battery operated child is a little more Chucky than A.I’s David who just wanted to be loved.  In the end, Extant is a little bit Aliens and a little bit A.I mixed together with a dose of Rosemary’s Baby.  It’s watchable and sure, some of the situations are laughable (Molly wanting to completely ignore the fact she somehow got pregnant while in space) but Extant does deliver a hefty dose of “what just happened?

Extant premieres tonight, Channel 10 at 8:30pm.