A dark an eerie take on the timeless cult horror flick pits Geena Davis against a demonic force that has set its eyes on her family.
Joining the ranks of the ‘reboot’ fad, The Exorcist has a more tender ground to tread on than others within the field thanks to its cult fandom background. Considered to be one of the scariest films of all time, the 1973 movie of the same name produced an iconic film filled with memorable quotes and scenes (a 360 degree head turn anyone?) that have been done and redone so many times that this new incarnation has to be very careful of not to try and out-do or recreate what has been done and done well.
Thankfully, in this new outing for The Exorcist, it leaves little opportunity open for fans and viewers to mock or gripe.
Taking the lead (and bringing in some worthy star power) Geena Davis plays Angela Rance, a religious upper class working mother who is concerned that the noises and strange occurrences happening in her home might be more than just your everyday easy to explain happenings. Her husband Henry (Alan Ricks) is a former version of himself due to a workplace accident, her eldest daughter Kat (Brianne Howey) is dark and depressed after a tragic accident that killed her best friend while youngest daughter Casey (Hannah Kasulka) is a care-free and easy going young woman with the world at her feet.
Concerned that troubled Kat may be ‘under the influence of a demon’, Angela asks local priest Father Tomas (Alfonso Herrera) to do a cleansing of her house though Tomas’ spiritual demons find him playing cat and mouse between a concerned mother worried her daughter is possessed and another priest, Father Marcus (Ben Daniels) who has very close ties to the world of exorcisms.
What ensues is a stylish and slick tale about religion in the modern day versus the barriers provided by old-school religion.
At an hour long, the first episode doesn’t feel rushed or have too much crammed into it though there lies a problem in that you begin to question how Angela is so convinced there is a demon in her house when we are not actually privy to any demonic activity (the only real signs is through her telling Father Tomas about cupboards and chairs in the kitchen moving about) and the scene where Father Tomas and Father Marcus meet – via demonic children filled dreams is semi-sketchy to say the least but one could say it’s divine intervention from a higher power to bring the two together.
We do catch a glimpse of this demonic force, though it’s not until the end of the episode and provides one of the best surprise plot twists presented in a pilot in some time and it’s not the series only card up their sleeve. The big reveal comes towards the end of episode five that will have those who know the movie literally gagging with excitement about what’s to come.
The Exorcist begins Sunday December 4, 8.30pm on Showcase.
Pilot score: 4.5/5
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